If you're like me, in July of 2016, you felt some anxiety when Richard Thompson was trending. You experienced momentary relief when it turned out the former singer of Fairport Convention was fine, and then sadness when it became clear it was the cartoonist behind Cul De Sac who had passed. Complications from Parkinson's. You could see his hand had gotten shaky, and several cartoonist friends took over the daily strip for lengthy periods. Still a shock when he died.
There were several bigger news stories in 2016, but this was when I knew for certain that '16 would be the suckiest that ever sucked, and I was right, the Cubs World Series win notwithstanding.
Cul De Sac was the sweetest, weirdest, and funniest strip in the comics pages, filling a hole left by Watterson, Larsen, and Schulz's retirement. It's Alice Otterloop's story for the most part. She's great. ("Otterloop" is a reference to DC's Capital Beltway; the Inner and Outer Loop encircle the city. As a Virginian working for The Post, he spent a lot of time driving it, I imagine.)
A combo of wonder and mischief, snot and sincerity, like some other striped-shirt comic strip kid.
one can only achieve Oboe God status with the proper embouchure |
You see Bill at work with his palette knife and John with several different mediums. And yes. At one point, Kascht sends Watterson a boxful of clay heads.
Wait. Did you say something then I said something?
*****
* or maybe just a mascot for SQRL. I would apologize about the length of the post but I'm not sorry at all. Does anyone even read these maunderings?
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